From the Front: "The V14s allow you to find any frequency with ease whether the source needs a boost or reduction. They are essential to my work flow."... Read more

From the Front: "I first heard about the JDK around 2010. The R22 is a very high quality compressor, which is a great find for the big and small home studios. I use the R22 to get more air and volume in my mixes. The compressor has suitable fluffiness and nobility on all recordings."... Read more

From the Front: "My JDK 8MX2 is a great unit and is probably one of the more versatile units out there with eight mic preamps and limiting built in to each channel as well as the ability to sub mix down to two channels for two track recording if needed. I would also say that the 8MX2... Read more

From the Front: "I love the v12 for my snare drum, it gives me the right amount of snap, punch, and clarity without being too overbearing. The R22 I love using for my drum sub groups, this compressor brings out the presence in the total drum kit adding girth and clarity to the sound."... Read more

From the Front: "Since I handle most of the music performances for the session work and collaboration I take on, I was able to get rid of my mixing board and upgrade to two channels of JDK audio. Those two channels consist of the R20 two-channel microphone preamp, R22 two-channel compressor, and the R24 two-channel 4 band equalizer. I love the rugged military looks of the units, but the sound of the JDK audio units is what really stands out... Read more

From the Front: "When I discovered JDK I absolutely marveled, their products are of impressive quality. I bought the R24 EQ, and when I plugged into a mix buss and started playing, the world changed completely, everything began to have a different color, with sizzling, but sweet high frequencies. The same... Read more

From the Front: "At the time I purchased the R22, I had minimal gear; later, I realized that the R22 is really an amazing unit. It sounds great on piano, and I've always felt it was very smooth and what many may call 'transparent.'"... Read more

From the Front: "The first thing I did when I got my R22 was to test it out by sending a Fender P Bass through a vintage API preamp and then through the R22. I was blown away by its transparency. I was equally excited that I could use it for gain reduction with highly transient material and it retained a smoothness... Read more

From the Front: Frequency Recording's construction was only completed last year, and a new JDK R22 stereo compressor is one of owner Richard Fabrizio's most frequently used pieces of gear. Richard says he reaches for the R22 as a two-mix compressor, and for tracking both drums and vocals... Read more

From the Front: Shady Palms Productions uses the R-22 for everything including tracking, mixing, and post-production. Through its post-production services, the company has won nine Emmy awards, and thirteen Golden Globe awards. Studio owner Terence Ervan shares "we use the R-22 on most instruments, but really love it... Read more

From the Front: "I always wanted a great mic pre for my vocal booth, which consists of 2 mic inputs. JDK fit my studio needs exactly for its smooth, warm, clean tone. I use the R20 on vocals, strings, percussion, and many different sources. The sound is brilliant on everything! The analog VU meter also gives a nice... Read more

From the Front: "As I am a guitarist, I am very particular on the guitar sound quality, and the JDK units really deliver. I like the smoothness. I purchased a R24 based on a recommendation from Adam at DSP Doctor. It's easy to use, doesn't sound overly EQ'd, but it does sounder fuller and 3-dimensional... Read more

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